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Pierre-Nolasque Bergeret (30 January 1782, Bordeaux – 21 February 1863, Paris) was a French painter, pioneer lithographer and designer who studied with Jacques-Louis David. He was born in Bordeaux, where he received his early training, then moved to Paris, where he worked in the ateliers of François-André Vincent and then David, where he met François Marius Granet and Jean-Auguste-Dominique Ingres.〔A copy, thought to be Bergeret's, of Ingres' ''Titian Painting François I'' is conserved at the Musée Crozatier, Le Puy-en-Velay.((Ministère de la Culture ))〕 Bergeret played a major role in introducing lithography, in part through his reproductive prints after paintings by Nicolas Poussin and Raphael: his lithograph ''Mercury'' (1804), reproducing a detail from Raphael’s fresco in the Villa Farnesina, and his caricature of current Paris fashion, ''Le Suprême Bon Ton Actuel'' (by 1805)〔((New York Public Library) Illustration. )〕 are among the earliest examples of lithographic technique.〔Dominique H Vasseur, 1976. ''Early Lithography in France''; Vasseur, 1982. ''The lithographs of Pierre-Nolasque Bergeret'' exhibition catalogue, Dayton Art Institute, Dayton, Ohio, January 7-February 28, 1982.〕 Bergeret was commissioned to design Napoleonic medals, or provide frieze-like panels ''en camaïeu'' to be painted on Sèvres porcelains〔His preparatory drawing for an ''Allegory of the Battle of Austerlitz'' is conserved at the Musée National de Ceramique, Sèvres ((Illustration )).〕 and to provide designs for the bas-reliefs on the Column in the Place Vendôme, built 1806–11 in direct competition with Trajan's Column in Rome. The Column has had a checkered career, destroyed and replaced twice. The subjects of his paintings tend towards the vividly anecdotal. He was early among artists drawing subject matter from the culture of the Renaissance, in the ''style Troubadour'': ''Honors Rendered to Raphael on His Deathbed'' 1806 (Allen Art Museum, Oberlin College, Ohio).〔http://www.oberlin.edu/amam/Bergeret_RaphaelonDeathbed.htm〕 ''Charles V Picking up Titian's Brush'' 1808; ''Anne Boleyn Condemned to Death'' ca. 1814 (Musée du Louvre); ''Aretino in the Studio of Titian'' ca 1822; ''Fra Lippo Lippi Enslaved in Tangiers, Painting a Portrait of His Captor'' ca 1819;〔(Preparatory drawing )〕 Another major history painting by Bergeret is ''Marius Meditating on the Ruins of Carthage''. Other typical subjects are propagandistic allegories and representations of current events of the French Empire. ==Gallery== File:'Marius Meditating on the Ruins of Carthage' by Pierre-Nolasque Bergeret, Dayton Art Institute.JPG|''Marius Meditating on the Ruins of Carthage'', 1807 Dayton Art Institute File:1819 bergeret filippo lippi esclave a alger 01.jpg|''Filippo Lippi slave in Alger, 1819 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pierre-Nolasque Bergeret」の詳細全文を読む スポンサード リンク
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